Taking WFH breaks: The Met—100 curators talk about 100 works, 2 minutes at a time.


 

Before I joined T. Rowe Price as a writer eight years ago, I’d worked as a freelance or contract writer for nearly two decades. Working from a home office still seems natural to me—but, I know that’s not the case for many folks. Over the next few days, I’ll share a few of the WFH challenges that I’ve learned from. Here’s the first—I’m still struggling with this one:

TAKE BREAKS

  • It’s vitally important to take your mind off work—completely off of work—for a few minutes every hour or so. Focus on something that gives you pleasure, makes you happy, or just plain curious.
  • It’s been documented by many studies over many years that the majority of employees who are working from home tend to overcompensate for not being physically present in the office. Overperforance, when not necessary, can make you more tired than normal and, more importantly, lead to early burnout.
  • Set an alarm if you have to, but take a break on a regular schedule. And, on at least every other break, get some exercise. Otherwise, you may look up and find that you’ve worked three, four, five hours at a time without moving around much. That’s not wise for you physically, or mentally, and doesn’t keep you on point for your employer.

Remember that breaks don’t have to last very long to be extremely effective. If you enjoy any form of art or like learning about history here’s a super-quick break that I like: Spend two minutes with an art museum curator sharing a work of art he or she finds transformative through the Met’s video series, 82nd & Fifth.

82nd & Fifth is the Met’s address in New York City.
It is also the intersection of art and ideas.

A few years ago, the Met invited 100 curators from across the Museum to talk about 100 works of art that changed the way they see the world, and eleven Museum photographers to interpret their vision: one work, one curator, two minutes at a time. I’ll warn you, though that, for me, these two-minute videos are a lot like potato chips. I can’t enjoy just one. Enjoy and feel free to share.

82nd & Fifth was created as a year-long series of 100 episodes. You’ll find the Met’s series here and there is an app available in 12 languages.

82nd & Fifth

PRODUCTION CREDITS
Executive Director, Thomas P. Campbell
Series Producer, Teresa Lai
Series Director, Christopher Noey
Producer, Howard Silver

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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