Get ready for goosebumps. Viola Davis is Ma Rainey—and she’s superb.

The screen adaptation of August Wilson’s 1984 Pulitzer Prize winning play, Ma Rainey’s Black Bottom, will premiere on Netflix December 18. The film stars Tony and Oscar winner Viola Davis and the late Chadwick Boseman (in his final film role). The first official trailer has just been released and here it is—fasten your seat belts.

The Movie
The story is set in Chicago in the 1920s, and looks at issues of race, art, religion and the well-documented exploitation of black recording artists by white producers.

Davis plays Ma Rainey, with Boseman as Levee, the band’s ambitious and impulsive trumpeter. The cast also includes Michael Potts as Slow Drag, Glynn Turman as Toledo, Tony nominee Colman Domingo as Cutler, and Tony nominee Jeremy Shamos as Ma’s manager Irvin, along with Jonny Coyne, Taylour Page, and Dusan Brown.

The Real Ma Rainey, Mother of the Blues
Writing for the New York Times’ series, Overlooked No More, Giovanni Russonello says, “With her unapologetic lyrics, Rainey proudly proclaimed her bisexuality and helped to mainstream black female narratives in a musical style that later became a nationwide craze.”

Ma Rainey recorded nearly 100 songs in the 1920s and many were national hits. Some of those have become part of the American musical canon. Her 1924 recording of “See See Rider,” on which she is accompanied by a young Louis Armstrong, was added to the Library of Congress’s National Recording Registry in 2004.

The Real Ma Rainey, circa 1923.

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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