High School officials cancel production of Sweeney Todd

Officials for Timberlane High School in Plaistow, New Hampshire cite the Tony Award winning* musical’s subject matter as not suitable:

“I want an all-inclusive performance that the community can enjoy,” Superintendent Earl Metzler said yesterday. “We were uncomfortable with the script—this was not the right time or place for the performance.”

A local newspaper, the Eagle-Tribune reported that, “Unhappy students created a Facebook page to protest, but Metzler said that got out of hand.”

“There were things that were written which were beyond disrespectful and rude, as well as illegal,” he said. “It crossed the line. It’s not about free speech. Those students are free to let us know what they feel about things. But it does not give them the right to be rude and disrespectful.”

Metzler said an administrator advised the creator to delete the group. “I think we were doing them a favor,” he said. “They could have faced suspension, expulsion or even legal consequences.” Metzler said the students who made the comments apologized to him and no discipline was handed down.

The Timberlane Regional School Board did not discuss the play at any meetings, but Chairman Nancy Steenson said she agreed with the decision.

Said Superintendent Meltzer, “This isn’t censorship, we’re just trying to do the greatest amount of good for the greatest amount of people.”

An editorial published in yesterday’s Eagle-Tribune begins:

One of the themes of the great American musical “Sweeney Todd” is how petty tyrants abuse their power to rob others of their rights, turning their victims and society at large mad. That is precisely why the Timberlane Players ought to perform “Sweeney Todd” — with Timberlane School District administrators and officials strapped into front-row seats.

“Attend the tale of Sweeney Todd …”

Alas, that is apparently not to be.

[UPDATE] All the ruckus is over the highly abridged ‘School Edition Script’ which was edited from the original by Christopher Bond with Stephen Sondhiem and is rated PG.

*The 1979 Broadway production of Sweeney Todd won Tony’s for:

  • Best Musical
  • Best Book of a Musical
  • Best Original Score
  • Best Performance by a Leading Actor in a Musical
  • Best Performance by a Leading Actress in a Musical
  • Best Direction of a Musical
  • Best Scenic Design
  • Best Costume Design
  • Best Lighting Design

[UPDATE FROM MASTERWORKS BROADWAY]

04.02.14
STEPHEN SONDHEIM’S SWEENEY TODD ADDED TO LIBRARY OF CONGRESS RECORDINGS COLLECTION

The original Broadway cast recording of Sweeney Todd will be one of 25 items added to the National Recording Registry of the Library of Congress! Upon the addition of these 25 items, this Sondheim masterpiece will be one of only 400 recordings in the world noted by the Library “as cultural, artistic and/or historical treasures, representing the richness and diversity of the American soundscape.” With its addition to the library, this legendary title will join MWB vault titles My Fair Lady (1956), Hello, Dolly! (1964) and Hair (1968) as staples to the American musical, carrying on each titles legacy so that both past & future generations may learn about these timeless classics.

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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