A free Friday night flick

Move Poster, He Walked by Night
Move Poster, He Walked by Night

One of my favorite film noirs is the grandfather of police procedurals: He Walked by Night is a 1948 gem. When the movie was released by Eagle Lion Films, the trade magazine Variety wrote, “He Walked by Night is a high-tension crime meller, supercharged with violence but sprung with finesse.

“Top credits for this film’s wallop is shared equally by the several scripters, director Alfred Werker and a small, but superb cast headed by Richard Basehart…Starting in high gear, the film increases in momentum until the cumulative tension explodes in a powerful crime-doesn’t-pay climax.

“Striking effects are achieved through counterpoint of the slayer’s ingenuity in eluding the cops and the police efficiency in bringing him to book. High-spot of the film is the final sequence which takes place in LA’s storm drainage tunnel system where the killer tries to make his getaway.

Narrator: They showed [the composite sketch] to the inmates of jails and prisons, to men with a wide acquaintance among the cat burglars and the violence boys, informers, con men, and sharpshooters – those on the fringe of crime and those deep in the rackets. Many wanted to help – nobody could! No one in the Underworld recognized that mysterious face. He was as unknown as if he had lived in the 16th Century.

“With this role, Basehart establishes himself as one of Hollywood’s most talented finds in recent years. He heavily overshadows the rest of the cast, although Scott Brady, Roy Roberts and Jim Cardwell, as the detectives, deliver with high competence. Film is also marked by realistic camera work and a solid score.”

He Walked by Night became a loose template for the radio and television series, Dragnet which premiered on NBC Radio on June 3, 1949 with an episode titled, Robbery.

Enjoy!

He Walked by Night via Internet Archive

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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