The top 8 July 4th movies (and some fountain trivia)

The 4th of July usually gets short shrift in the holiday movie category. But, it shouldn’t. Here’s the list that Jacob and I consider essential Independence Day viewing.

For us, it all begins with…

1776—It’s a 1972 musical and a wonderful musical. The film focuses on the representatives of the 13 colonies who participated in the 2nd Continental Congress. Many of the members of the original 1776 Broadway cast recreated their roles for the movie.

The movie spans the 3 months leading up to the signing of the Declaration of Independence. It’s a broad, sweeping, visual pleasure and the music is extraordinary. The back-story focuses on the romance of Abigale and John Adams.

One of the musical numbers, The Lees of Old Virginia, is staged around a fountain covered with Spanish moss.

Fountain, Lees of Old Virginia

If the fountain—it’s on the Warner Bros. Ranch in Burbank, CA—looks slightly familiar, it may be that you’ve seen it before:

Warner Bros Ranch fountain, Dennis the Menace, TV show
Warner Bros Ranch fountain, Friends
Warner Bros Ranch fountain, The Sniper

Now, back to 1776—history buffs like to report inaccuracies in the story line—and there are inaccuracies. It’s a movie; it’s not a documentary. It’s  also 100-percent 4th of July and the story of the founding of the United States. Every time we watch the movie we feel like shooting off some serious fireworks. I think you will, too.

The balance of our July 4th movie list runs like this:

2. Yankee Doodle Dandy, 1942
3. Johnny Tremain, 1957
4. National Treasure, 2004
5. The Music Man, 1962
6. John Adams, HBO Mini-series, 2008
7. National Treasure: Book of Secrets, 2007
8. The Crossing, A&E 2000

And, of course, there’s the PBS production of A Capitol Fourth. We watch it every year. And, we wave our flags. Regardless of what’s transpired over the past twelve months in America, the 4th of July is a day of pride and celebration. Independence Day reminds us of those who came before and makes us prouder than ever of being Americans.

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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