Everyman Theatre’s new season–big news.

Everyman Theatre, The Understudy poster
Everyman Theatre, The Understudy

We have our tickets for their first production of the 2014-15 season, The Understudy.

Dramatist’s Play Service provides this synopsis of the script:

Franz Kafka’s undiscovered masterpiece in its premiere is the hilarious and apropos setting for Theresa Rebeck’s exploration of the existential vagaries of show business and life. Charged with running the understudy rehearsal for the production, Roxanne finds her professional and personal life colliding when Harry, a journeyman actor and her ex-fiancé, is cast as the understudy to Jake, a mid-tier action star yearning for legitimacy. As Harry and Jake find their common ground, Roxanne tries to navigate the rehearsal with a stoned lightboard operator, an omnipresent intercom system, the producers threatening to shutter the show and her own careening feelings about both actors and her past. Will the show go on? THE UNDERSTUDY is a dazzling and humanistic look at people trying to do what they love in the face of obstacles that mount until all anyone can do is dance.

Trying to do what they love in the face of obstacles that mount until…? Yes, I’ve had days like that. We’ll see you at Everyman in September.

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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