Fran Lebowitz: Now. Then. Young. Stunning.

Fran Lebowitz

Peter Hujar’s Fran Lebowitz [at home in Morristown], 1974
I discovered W through a designer friend, Bill McCreight, in New York in the early 70s and I’ve been a fan ever since. I read W, and I learn something new.

So it seems that Soho has a Museum of Gay and Lesbian Art. (I didn’t know.) It also seems that dear, clever, frank Fran Lebowitz was as cute as shit in the 70s. (I didn’t  know.)

Check out this article from W’s Vince Aletti:

“Permanency,” a show of recent additions to the permanent collection of the small but feisty Leslie+Lohman Museum of Gay and Lesbian Art, in Soho, includes work by David Hockney, Nan Goldin, George Platt Lynes, Ray Johnson, Berenice Abbott, Robert Indiana, and Deborah Kass.

It’s a fine opportunity for the museum to prove that it’s not just a trove of historic and contemporary homoerotica (though there’s plenty of that here too), but that’s not the only reason to add the exhibition to your late-summer art tour. Following the donation of 30 prints from the Peter Hujar estate, “Permanency” turns out to be a terrific showcase for the photographer’s work.

Nineteen of his powerful, incisive, and incredibly soulful black-and-white photos fill two walls here and easily steal the show. Included, along with several sensational nudes and pictures of men at the Christopher Street piers, are portraits of the artist David Wojnarowicz, poets John Ashbury and Joe Brainard, theatrical genius Charles Ludlam, and the performance artist Ethel Eichelberger in an over-the-top antebellum gown.

That could be a fashion moment, but the picture that really caught my eye was of a handsome young man named Keith Cameron, who’s shirtless but wrapped across the chest in what looks like an impromptu combination of a wool blanket and a thermal jersey. Lightly bearded, with tousled hair falling over one eye, he looks like a Greenpoint hipster wriggling out of an avant-garde straitjacket—something Rei Kawakubo might have sent down the runway for Spring/Summer 2015.

(through September 28th)

Leslie+Lohman Museum
of Gay and Lesbian Art
26 Wooster Street, New York City

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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