12 powerful minutes with Harry Belafonte

Susan Sarandon, Harry Belafonte, Photo courtesy Chris Pizzello, AP
Susan Sarandon, Harry Belafonte, Photo courtesy Chris Pizzello, AP

Harry Belafonte set a high bar at the Academy of Motion Picture Arts and Sciences’ Governors Awards Saturday night, November 8th. In a restrained, yet powerful speech he made an impassioned appeal to the Hollywood community to change the world for the better.

Belafonte, who is about to turn 88 years old, made the appeal as he received the Jean Hersholt Humanitarian Award from the Academy, one of four film titans to receive honorary Academy Awards.

“I really wish I could be around for the rest of the century to see what Hollywood does with the rest of the century,” said Belafonte from the podium. “Maybe, just maybe, it could be civilization’s game changer.”

Belafonte was called out as “the ultimate example of a great artist and lifelong social activist” by Susan Sarandon. She cited his many humanitarian contributions, from civil rights activism with Martin Luther King Jr. to vocal opposition to the apartheid government of South Africa.

Belafonte spoke about the powerful impact film can make—pointing out racially damaging films beginning with 1915’s The Birth of a Nation. He called on today’s filmmakers to bring about a positive change.

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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