If you’re interested in art provenance, this is one hot ticket

BMA, recovered Renoir; photo courtesy Fireman's Fund Insurance
BMA, recovered Renoir; photo courtesy Fireman's Fund Insurance

And, tickets are free. The event is tomorrow at BMA.

The Bar Association of Baltimore City
Continuing Legal Education Committee
and
Maryland Volunteer Lawyers’ for the Arts
Present

Recovering Stolen Art:
Providence and Provenance Returns a Lost Renoir to the BMA

View the Renoir painting “On the Shore of the Seine” now again hanging in the Baltimore Museum of Art (BMA) after a six-decade disappearance. Hear the riveting story of the legal wrangling from Presenters Doreen Bolger, Director of The Baltimore Museum of Art, and BMA counsel Marla J. Diaz, Esquire, of Whiteford Taylor and Preston, LLP, and learn the legal requirements to prove ownership of a work of art.

Thursday, January 29, 2015
Baltimore Museum of Art
10 Art Museum Drive
Baltimore, MD 21218

4:00 – 5:00 p.m.
Visit Renoir Painting in the Cone Collection
4:30 – 5:30 p.m.
Reception featuring cash bar in Gertrude’s
5:30 – 7:00 p.m.
Presentation in BMA Auditorium
Admission is FREE
RSVP to info@baltimorebar.org

For information, email info@baltimorebar.org, or call 410-539-5936.

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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