I’m fascinated by this sculpture

Found art sculpture: Motorcycle Man
Found art sculpture: Motorcycle Man

It seems to me that many found-object sculptures tend to fall into one of two camps: Random and uninformed (decorative) or deeply thoughtful and insightful (true folk art). This piece seems to belong to the latter category—the artist has also layered on a combination of whimsy and a powerful touch of dubious hope.

Motorcycle Man Folk Art Found Object Sculpture. Size: 64″ x 32″ x 44″ (163 x 81 x 112 cm).

Motorcycle Man is up for auction at Material Culture tomorrow, March 23rd.

From the auction house:
With over three decades of experience in the fields of art, decorative arts and antiques from around the world, Material Culture applies its expertise to the appraising, consigning and selling of all kinds of artifacts from local, national and international consignors, including estates, private individuals, trusts, businesses, educational and cultural institutions. Located in Philadelphia, Material Culture prides itself on being a full-service auction house, with the ability to take on single items, collections, or entire estates, through the wide variety of auctions it offers. Material Culture’s experience in the global market contributes to the strong showing of buyers overseas as well as domestically, with educated bidders from 30+ countries regularly participating in their high-energy sales.

We’ve purchased from Material Culture on several occasions—the folks there are true professionals. We have our paddle number for the auction tomorrow and are looking at a couple of very different pieces.

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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