A grand old building has just entered Baltimore’s rental market. With apartments at New York City prices.

Baltimore, 10 Light Street Apartments
Baltimore, 10 Light Street Apartments

If you’ve known me for more than fifteen minutes, you know that I’m a fan of urban living, a supporter of urban redevelopment, and a proponent of the renewal and re-purposing of classic buildings. I speak of it often. Over the course of my adult life, I’ve lived in a number of city-centers: New York, Baltimore, Dallas, Los Angeles, and San Francisco. Jacob and I live just 3 blocks from 10 Light Street and we have for nearly 10 years.

I was thrilled when, in 2012, Metropolitan Partnership purchased 10 Light and announced that they were converting it to around 450 “leased residences.” There are a number of things that will make downtown Baltimore better for all who make 21201 and 21202 home. The primary concept is 24/7 population density, critical mass.

Metropolitan Partnership seemed to have that in mind when they first wrote about the conversion:

With the depth of experience gained from the Historic Preservation of 1101 Pennsylvania Avenue and the adaptive reuse of 259 Worth Avenue in the heart of the Palm Beach Historic District, Metropolitan purchased 10 Light Street in 2012 and will commence its Historic renovation and conversion to residential use. The 520,000 square foot, 34 story structure will be converted to 445 for-lease residences.

The building, currently known as The Bank of America Building, formerly the Baltimore Trust Company Building, is a 509 foot skyscraper located in the heart of Baltimore’s Historic Financial District, at the corner of East Redwood and Light Streets. It is the most architecturally significant building on the Baltimore skyline.  When completed in 1929, it was the tallest building in the state, and the tallest office building in the United States south of New York City.  The Art Deco building is fashioned from Indiana limestone and local brick over a steel frame. The building’s exterior is decorated with carved, Mayan Revival-style images and is capped with a copper and gold mansard roof. The ornate, four-story main colonnaded lobby is decorated with mosaic floors and historic murals depicting Baltimore’s history.

Adding retail and hundreds of new residents to the City Center will bolster a 24-hour life and critical mass of people in this important section of Downtown. The building, at 34 stories, has unsurpassed views of the city skyline and the Inner Harbor.

I’ve been watching for floor plans and rental rates to hit the Gables’ website—Gables is the management company for 10 Light.

The plans and rates published just this morning. And boy, did they publish big. Manhattan big—10023, 10019. Upper West Side, Midtown big. Big as in pricey. A studio of 520 sq ft will set you back about $1,650 per month.

10 Light Street, Studio A3 520 sq ft, $1615 – $1655/month

Average sized 2 bedroom, 2 bath units are set to rent in the $3,500 to $4,500 per-month range. Some are considerably more.

10 Light Street, 2-B 2Bath, C3 1382 sq ft, $4481/month
The build out doesn’t seem to support the premium rents. I don’t know what I expected of the rebuild of such a gracious, classic old building. But surely it deserved a bit more detail than I see in some of 10 Light’s promotional photos. (And, unless I’m mistaken, the only place you can get a refrigerator that stubby and wide is from Photoshop.)
10 Light Street, apartment interior

There is a 2,200 sq ft penthouse available for a yearly rent of $114,000. if you’re interested. You can visit the Gables’ 10 Light Street here.

Oh yes, earlier I made a comparison of 10 Light’s rates to those of New York properties. Here’s a comparable 2-B-2 Bath on the Upper West Side, near Lincoln Center, city views, with garage and a large terrace. $4,375. per month. (And, there are grocery stores on the Upper West Side.)

West End Towers, 2 Bedroom-2 Bath with terrace, garage, and park, $4,375 per/month.

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

2 comments

  1. Andrew Hazlett – Baltimore, Md. – Writer embedded with insurgent do-gooders in Baltimore @hackbmore @impacthubbalt | reader, critic, & writer of books @GoucherCNFMFA | past: @gbtc @ntbmore @nehgov @ManhattanInst | http://scholarsandwritersagainsttrump.org | See also: http://andrewhazlett.com
    Andrew Hazlett says:

    That’s disappointingly preposterous. I had high hopes that it would either be beautiful or affordable.

  2. Stephen Brockelman – Baltimore, Maryland – As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.
    Brockelman says:

    I so agree, Andrew. I also had high hopes. The price per square foot makes no sense with the lack of enclosed parking and grocery markets. The fact that high-rise construction will begin soon on lots directly across the street to the east and the west that will ultimately impede views is not good news for folks who appreciate not looking directly into another building.

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