Chita Rivera’s Broadway VISIT was short, yet brilliant.

Chita Rivera, The Visit - courtesy Paul Fox
Chita Rivera, The Visit - courtesy Paul Fox

The Visit, sadly plagued with low grosses for a number of weeks, has ended its Broadway run. And, sadly before Jacob and I could grab an Amtrak train and go see it. The video clips from the production are as rich as chocolate truffles and fine old brandy.

Starring legendary two-time Tony winner Chita Rivera, The Visit, began previews on March 26 and officially opened on April 23 at the Lyceum Theatre.

Along with Best Musical, The Visit received 2015 Tony nominations for Best Leading Actress in a Musical for Rivera, Best Score for Kander & Ebb, Best Book of a Musical for McNally, and Best Lighting Design for Japhy Weideman. The production won none.

John Kander and Fred Ebb’s The Visit is based on Friedrich Dürrenmatts’ play. It features a book by Terrence McNally, music by Kander, and lyrics by Ebb.

Chita Rivera, The Visit

The book’s main character, Claire Zachanassian, is an often-widowed millionairess who pays a visit to her hardship-stricken birthplace. The locals hope she’ll bring them a new lease on life, but little do they know her offer to revitalize the town comes at a dreadful price.

Today The New York Post’s Liz Smith wrote,

[Chita’s] appreciations on the closing afternoon were even more exuberantly adoring than on opening night. (An event itself described as “epic.”) And she was moved. Three standing ovations in all and the final curtain call went on and on with practically no let-up in “bravas” and thunderous applause. (“The Visit” actually played better the day it closed than on the day it opened. It had settled in neatly.)

What made the event even more dramatic was revealed during executive producer Tom Kirdahy’s emotional speech onstage. Tom thanked all the producers, the director, choreographer, stagehands, the entire cast, told how much the show had come to mean to all of them. And he described its long journey to be seen “where it should be seen, on Broadway!

Chita, The Visit, final bow

On April 23rd, Variety’s Marilyn Stasio wrote,

If ever a star deserved her moment of triumph, it’s this 82-year-old belle dame, who was hell-bent on bringing this offbeat Kander and Ebb musical to Gotham. It took 14 years and four passes—an ill-timed 2001 production at the Goodman, a Signature Theater presentation in 2008, a one-night stand at a benefit for the Actors Fund in 2011, and one more tryout at Williamstown last summer—before Chita could finally walk onto a Broadway stage as Claire Zachanassian, the vengeful woman who returns to Brachen, her wretched birthplace “somewhere in Europe,” in search of Anton Schell (Roger Rees), the lover who wronged her so many years ago.

Background:

The Visit Starring Chita Rivera
Lyceum Theater
Opened April 23, 2015
Running time: 1 HOUR, 40 MIN.
Production
A Tom Kirdahy, Edgar Bronfman Jr., Tom Smedes, Hugh Hayes, Peter Stern, Judith Ann Abrams, Rich Affannato, Hunter Arnold, Carl Daikeler, Ken Davenport, Bharat Mitra & Bhavani Lev, Peter May, Ted Snowdon, Gabrielle Palitz/Weatherby & Fishman, Marguerite Hoffman/Jeremy Youett, Carlos Arana/Terry Loftis, Veenerick & Katherine Vos Van Liempt, 42nd Club/Silva Theatrical and the Shubert Organization presentation, in association with Williamstown Theater Festival, of a musical in one act with book by Terrence McNally, based on a play by Friedrich Durrenmatt, as adapted by Maurice Valency, lyrics by Fred Ebb, music by John Kander.
Creative
Directed by John Doyle. Choreographed by Graciela Daniele. Sets, Scott Pask; costumes, Ann Hould-Ward; lighting, Japhy Weideman; sound, Dan Moses Schreier; hair & wigs, Paul Huntley; makeup, J. Jared Janas; orchestrations, Larry Hochman; music direction & arrangements, David Loud; production stage manager, Lori M. Doyle.
Cast
Chita Rivera, Roger Rees, George Abud, Jason Danieley, Matthew Deming, Diana DiMarzio, David Garrison, Rick Holmes, Tom Nelis, Chris Newcomer, Mary Beth Peil, Aaron Ramey, John Riddle, Elena Shaddow, Timothy Shew, Michelle Veintimilla.

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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