Lesser-known Broadway musicals can be magical, too.

One autumn a long time ago—when I was just two months short of turning eleven—there opened on Broadway a musical with a plot set against the personal joys, international concerns, and political complications of Israel’s struggle for recognition as an independent nation.

Milk and Honey, Martin Beck Theatre, 1961

Nominated for five Tony Awards, the show opened at the Martin Beck Theatre on October 10, 1961. It was Jerry Herman’s first book musical, MILK AND HONEY.

The story revolves around a simple plot: A busload of lonely American widows hoping to snag husbands while on a tour of Israel.

If MILK AND HONEY was a delicious confection of a show, the icing was the performance of the perky, pesky, intuitive, Yiddish character actress, Molly Picon. Born in 1898, Picon was a natural entertainer—her first full English-language performance was in MILK AND HONEY.

Molly Picon

Among her songs was a rousing anthem called Chin Up Ladies:

Stiff upper lip up, Ladies!
Do or die is the plan!
When the trip is over
To prove that we were here
We’d like to carry home
A six-foot souvenir!
So keep your chin up, Ladies!
Somewhere over the rainbow
There’s a man!
Somewhere over the rainbow
There’s a man!

The show and the original cast recording helped make me a life-long fan of musicals, Jerry Herman, and Molly Picon.

Here’s the title song from the show:

Picon wrote a biography about her family called So Laugh a Little in 1962. Later, in 1980, she published an autobiography, Molly. They’re both sweet little reads.

 

 

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

Leave a ReplyCancel reply

Discover more from BrockelPress

Subscribe now to keep reading and get access to the full archive.

Continue reading

Exit mobile version
%%footer%%