Stage set and lighting plot change. See a 40-minute transformation in 60 seconds.

The Death of a Salesman set transforms to the set for A Streetcar Named Desire on the Everyman Theatre stage. Want to see this unprecedented transformation in person? You can. 

From Everyman Theatre:
Viewings will be available after every Saturday and Sunday matinee starting at 4:45pm now through June 12. Grab a drink at Vinny’s Bar then head into the theatre to watch the Rep changeover crew make the switch happen live. It takes a team of 10 men and women roughly 40 minutes to make theatrical magic.

The viewing experience is free to attend, but due to patron safety concerns, seating is limited. Tickets must be reserved in advance. Patrons do not need to purchase a ticket to The Great American Rep to take advantage of this once-in-a-lifetime opportunity. 

Call the Box Office to reserve your spot: 410-752-2208

The Wall Street Journal is just one of dozens of publications raving about this mounting of two classic pieces of American theatre:

“…Everyman is, so far as anyone seems to know, the first company in the world ever to present [Salesman and Streetcar] in rotating repertory, and having recently seen both productions in close succession, I can assure you that to do so is a powerfully stirring experience, one that will stick with you for a long time to come.”
-The Wall Street Journal

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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