Counting down to the 2017 Tony Awards; remembering a very special Dolly

So, the show is nominated for 10 Tony Awards®:

Best Revival of a Musical;
Best Actor in a Leading Role in a Musical, David Hyde Pierce;
Best Actress in a Leading Role in Musical, Bette Midler;
Best Actor in a Featured Role in a Musical, Gavin Creel;
Best Actress in a Featured Role in a Musical, Kate Baldwin;
Best Direction of a Musical, Jerry Zaks;
Best Scenic Design of a Musical, Santo Loquasto;
Best Costume Design of a Musical, Santo Loquasto;
Best Lighting Design of a Musical; Natasha Katz;
Best Orchestrations, Larry Hochman.

Gathering 10 Tony nominations is a tremendous accomplishment and this years’ mounting of Hello Dolly! starring Bette Midler is only slightly eclipsed in that feat by 1964’s original Broadway production. Carol Channing created the role of Dolly Levi that year and the show was nominated for 11 Tonys and—wait for it—took home 10.

Seeing a moment from a blockbuster show and a nominated actor singing a standing-ovation-worthy number are highlights of the awards. But this year, because of contract negotiations, it’s looking unlikely that Bette Midler will perform on Sunday’s award show at Radio City Music Hall.

Gordon Cox, legit theatre editor for entertainment trade publication, Variety, reported this week that, “Among the many subjects of speculation about the Tony Awards this year: Bette Midler, and when she’ll perform during the awards telecast. At the start, kicking off the show with a bang in a familiar number excerpted from Hello, Dolly!, the box-office busting revival in which she stars? Or toward the end, keeping viewers glued (and ratings up) until the final hour?

“The answer looks like it’ll be the one nobody initially expected: Midler might not perform at all,” Cox continued.

And from my perspective, that’s a tragedy.

From the beginning, its producers have positioned this year’s re-stage of Dolly as a super-exclusive piece of musical theatre. Even previews were presented as insider events that required special invitations. I understand that they need to do that, in part, to support orchestra seats that are going for $750 each; more if purchased on the secondary market.

So while we probably won’t see Bette Midler perform, we can still revel in Carol Channing’s performance of Before the Parade Passes By as she sang it on the Tony Awards telecast of 1971.

On January 31st of this year, Channing entered her 96th year of being a wonderfully self-directed individual; an outspoken, theatre icon; and an intuitively-truthful entertainer…

She once said, “Onstage, you just have to tell the absolute truth about the character you are playing. You hope you communicate it, and you hope it comes back like a tennis ball. If you’re listening to the sound of your own voice, nobody else is. The audience knows, and they freeze on you.”

Thanks, Miss Channing, for your personally-honest Dolly Levi. Your performance will never be upstaged.

The 71st Annual Tony Awards
Hosted by Kevin Spacey
Broadcast Live from Radio City Music Hall
Watch on CBS, Sunday, June 11th
8:00 – 11:00 p.m. EDT (West coast broadcast has a time delay)



By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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