Driving to work, I heard a duet that I hadn’t heard in many, many years. And, it was a mood changer.

I anticipated a busy Friday. I left home a little early and headed toward the JFX—that’s I-83 on a map of Baltimore or less formally, the Jones Falls Expressway. The sun wasn’t quite ready to shine as I hit the onramp and started driving south toward downtown. It was about 6:20 a.m.—that odd time between night and dawn when the sky is a foreboding indigo to the west and slightly lighter and a bit rosier to the east.

It was in the low 70s—cool for any mid-September day in Baltimore. The humidity was higher than I’m comfortable with, though. Still, I opened the sunroof and the windows, cranked up the Broadway channel on Sirius, and headed south to write a bit and edit others’ words.

There were potholes. I managed to steer around most of them, but I couldn’t avoid a couple. Hitting them made me cranky. Drivers seemed more aggressive and reckless than usual. Some clown in an old truck rode my back bumper for a couple of miles with his ultrabright, high beams on. I suspect they were retrofit halogen; I cursed him and adjusted my rearview mirror.

As I entered the downhill run and curves near Penn Station, a guy in a massive, generic-looking, black SUV, cut across three lanes of traffic to make an exit on St. Paul Street. I slammed on my brakes to avoid hitting him. I cursed him; I wasn’t in a happy place.

Then I heard the start of a tune. Some simple orchestration for a few bars and then:

Forget your troubles
Happy days
Come on, get happy
Are here again…

It was the Barbra Streisand and Judy Garland duet from The Judy Garland Show, 1963. Before I’d heard 8 bars I’d taken a deep breath, smiled, and started humming along. Music is magic. In less than two minutes, I was as happy as when I’d left home. Have a listen. It might just make your day better too.

 

 

 

 

 

 

 

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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