Long Day’s Journey Into Night— Baltimore’s Everyman Theatre does O’Neill

Everyman Theater, Baltimore. Long Day's Journey Into Night.
Everyman Theater,

And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience, became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint’s vision of beatitude. Like the veil of things as they seem drawn back by an unseen hand. For a second you see, and seeing the secret, you are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on towards nowhere for no good reason. 
—Edmund Tyrone, Long Day’s Journey Into Night

Maryland Public Television’s Rhea Feikin visits with Everyman’s Danny Gavigan about the production. Opening night is January 31st.

The drama, which the New York Times once described as “A tempest in bourbon bottle,” is Everyman’s first O’Neill production. Directed by Donald Hicken, it features:

Katharine Ariyan as Cathleen
Danny Gavigan as Edmund Tyrone
Tim Getman as Jamie Tyron
Deborah Hazlett as Mary Tyrone
and
Kurt Rhoads as James Tyrone

As an overview, Everyman writes:

What begins as an ordinary summer day at the Connecticut home of the Tyrone family morphs into a night filled with foggy, drink-laced demons where long-buried secrets are revealed—and once exposed cannot be ignored. A long-revered showcase for tour-de-force performances, Eugene O’Neill’s Pulitzer Prize and Tony Award-winning masterpiece (published posthumously) lays bare what we all know to be true: the ardor of familial love cannot always protect you. Long Day’s Journey Into Night is an autobiographical insight into its late, legendary playwright—and a compassionately brutal look at one family’s struggle to fight for love itself.

Everyman Theatre
315 West Fayette Street, Baltimore, MD 21201 | 410-752-2208

 

 

 

 

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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