Attention Designer Types: MyFonts.com has deeply discounted the Artegra Sans family.

It’s a simple truth: I love fonts.

A font can do a lot of heavy lifting. The right font, in the right hands, can create harmony or discord, make a product seem folksy or futuristic, convey a sense of trust or levity, or make a writer’s words appear more sophisticated-looking or downright silly.

As much as I love fonts, I’m head-over-heels for good fonts at a great price. MyFonts.com has the 162 font Artegra Sans family on sale for $49.80. Artegra Sans is normally priced at  $25.00 per font or $249. for the family. (There’s no word on how long the sale will last.)

From the studio of Turkish type designer, Ceyhun Biribnci, Artegra Sans was designed between 2014-2017. He started the project started with the idea of making one of the most comprehensive typeface families in the world while maintaining top quality in design. Artegra Sans does exactly that, offering quality in quantity in a total of 162 fonts.

There are 9 weights along with their matching true italics in normal, condensed and extended widths. More than 1500 glyphs per font offers a wide range of language support from Latin to Cyrillic languages, as well as many Opentype features such as true small caps, stylistic alternates, ordinals, language localisations (for Polish, Dutch, Catalan, Romanian, Moldovian, Turkish, Azeri, Kazakh, Tatar), unlimited fractions, denominators, superscripts and subscripts. Separately created alternates and small caps versions of each font allows users to use these styles, even in software with no access to OpenType features.

Each glyph was designed with the utmost care to meet the highest quality expectations, making Artegra Sans a unique typeface not only in magnitude but in usefulness and readability as well. It’s beautiful to look at and easy to read; it can be used for both display and text purposes. It’s a perfect choice for branding, magazines, posters, advertising, web and mobile application design, packaging design and more.

For more detailed information you can download the Buyer’s Guide and Compendium PDFs from the gallery section and watch this motion graphics video:

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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