Baltimore’s Corradetti Glassblowing Studio: “Easter is coming. Let’s make an egg.”

Visit Corradetti Glassblowing Studio and celebrate Spring. You can work with one of their artisans to create your very own solid-glass paperweight in the shape of an egg. Prior to Easter, Corradetti is offering three glass egg mini-workshops. The Saturday, March 17th, workshops are appropriate for adults and their kids, age eight and over.

From Corradetti: Here’s something you can take off your bucket list. If you’ve ever wondered what it would be like to create art out of molten glass this is your chance. Come by yourself, with a friend or family member, or your entire office and help shape a truly memorable life experience. With the guidance of our professional staff, groups or individuals can participate in our glassblowing activities that range from making simple, but beautiful objects such as glass eggs.

Anthony Corradetti moved his thriving glassblowing business to Baltimore’s Clipper Mill in 2005 after an already accomplished career spanning 30 years. His works are included in many private, corporate and museum collections.

The Clipper Mill space is an independent studio where glasswork is created every day. Corradetti’s creations include large-scale installations, lighting projects, and tabletop pieces for home or office. The showroom is open daily and features a variety of works for sale from one of a kind art to limited production pieces all made by Anthony Corradetti. Glassblowing classes & workshops are held regularly and the venue is available to rent for private events.

Corradetti’s 2018 Egg-making mini-workshop:
Ages 8 – Adult
Fee: $52.00
Date: Saturday, March 17
Class Times: 11am, 12pm, 1pm


By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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