It’s graduation season. Here’s sage advice—midcentury style—for the ambitious young man in the family.

So, Mr. Wiley, the hiring manager says:

“How can a man expect to improve on a job if he won’t listen to the very person who can help him?”

“To keep a job when the going gets rough, you need to insure your job.” 

“Walter had an idea. And he knew what to do.”

Twin brothers—20-somethings—both working in a shipping department. The hiring manager says one is an eager beaver. What could go wrong?

I watched this little film almost to the very last frame before I figured out it wasn’t going to turn into a porn movie.

 

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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