I’m not a big fan of Halloween, but creepy old movies are close to the top of my favorite-things list.

The Old Dark House, produced by Universal Pictures’ Carl Laemmle Jr., is one of those creepy movies. Previews began in early July 1932 and received some pretty bad press on the west coast. Variety reported that The Old Dark House was a “somewhat inane picture,” and other trade magazines and publications echoed the sentiment.

There were nine daily newspapers in New York City at the time, and oddly, they unanimously gave the film, directed by James Whale, good reviews. Whale also directed Frankenstein, The Bride of Frankenstein, The Invisible Man, and The Man in the Iron Mask, among others.

The production starred Boris Karloff, Melvin Douglas, Gloria Stuart, Lilian Bond, Raymond Massey, and Charles Laughton—Laughton’s wife, Elsa Lanchester, was a friend of mine through the 1970s and early 80s. (She once took Laughton’s Oscars of the fireplace mantle and let me hold them, but that’s another story.)

In 1963, a remake hit theatres, but for decades, the original version of The Dark Old House was considered a lost film.

In 1968, Director Curtis Harrington discovered a print of the film in the vaults of Universal. He persuaded the George Eastman House film archive to finance a new duplicate negative of the poorly kept first reel and restore the rest of the film.

The Dark Old House is available in a restored version for your Halloween viewing pleasure.

BALTIMORE UPDATE:

This week, The Charles Theatre is screening a 4K restoration of The Old Dark House.
 

Pauline Kale summarizes the film nicely:

This wonderful deadpan takeoff of horror plays was directed by the eccentric James Whale in the witty, perverse, and creepy manner he also brought to Bride of Frankenstein.

Five travelers are caught in a storm in Wales. They seek shelter in a gloomy mansion, which is inhabited by a prize collection of monsters and decadent aristocrats; a mute, scarred brute of a butler attends a prissy madman, his religious-fanatic hag of a sister, his pyromaniac-dwarf younger brother, and their father—a 102-year-old baronet. (The performer is listed as John Dudgeon, but the part is actually played by a woman, Elspeth Dudgeon.) 

Saturday, Oct. 26, 11:30 a.m – Monday, Oct. 28, 7 p.m. – Thursday, Oct 31, 9 p.m.

 

The Charles Theater

(410) 727-3464
1711 N Charles Street
Baltimore, MD 21201

#CelebrityVault #oldfilms #oldmovies #vintagefilms

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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