Irwin Allen made catastrophes entertaining spectacles; his storyboards auctioned.

Irwin Allen storyboard, Poseidon Adventure.
Irwin Allen storyboard, Poseidon Adventure.

Irwin Allen achieved his initial success through science fiction films and television series in the 1950s and 1960s, notably Voyage to the Bottom of the Sea for 20th Century Fox in 1961 and Lost in Space for CBS from 1965 to 68.

“The Poseidon Adventure,” Scenes 86, 92, 95, 101 sold for $2,600.

In the 1970s, Allen was called “The Master of Disaster” as the power behind the Academy Award-winning blockbusters The Poseidon Adventure (20th Century Fox, 1972), The Towering Inferno (20th Century Fox, 1974), and the famous flops The Swarm (Warner Bros., 1978) and When Time Ran Out… (Warner Bros, 1980).

In his introduction to The Fantasy Worlds of Irwin Allen (Creature Features, 2019), Jeff Bond writes, “Irwin Allen relied on and championed some of the finest production artists and illustrators in the business to visualize, plan, sell, and promote his projects…”

“The Towering Inferno,” Scenes 523-c and 523-d, sold for $1,300.

The auction was held by Julien’s Auctions, Los Angeles, California, “These pieces fully display the illustrator’s and production artist’s skills, which are valuable as their own works of art and convey the excitement of Allen’s films. The storyboards also offer vivid behind-the-scenes glimpses that are unavailable anywhere else, from camera and effects setups to moments of spectacle, which Allen deleted before production to cut costs. This sale offers Allen’s many fans a chance to collect one-of-a-kind film history artifacts that contain Allen’s passion for showmanship and the possibilities of movie magic.”

“The Poseidon Adventure,” no scene notation, sold for $585.
“The Poseidon Adventure,” Scenes 93, 94, 102, and 93-a, sold for $390.

The darling of the sale was this oversized technical storyboard by 20th Century Fox production illustrator Tom Cranham, showing the camera set-up and effects plan for the sequence in which Doug Roberts (Paul Newman) rescues the young girl Angela (Carlena Gower) from her burning apartment. It sold for $7,800.

Cranham served as VP of the Motion Picture Illustrators and Matte Artists Guild Local Number 790 for over 18 years, resigning in 1996 due to illness, and was a member of the art director branch of the Academy of Motion Picture Arts & Sciences.

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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