1972, NYC. I knew Sal Naturile—a first-hand account of the actual Dog Day Afternoon.

The Heist in Progress
The Heist in Progress

Hot. Manhattan.
As the sweltering summer of ’72 dragged on, each day seemed more oppressive than the one before.

New York City continued its descent into a massive financial crisis, and that August the FBI took notice of me and tapped my phone.

304 W 75th Street, NYC

Cool apartment.
I was living in a building between Riverside Drive and West End Avenue—with my tuxedo cat named Maxwell—in apartment, 17F, on the top floor of 304 West 75th Street. For a 21-year-old kid from Kansas, I was living in pretty rarefied air. I’d recently returned from a year on the road performing in a couple of plays, The Impossible Years and Send Me No Flowers.

The doorman welcomed me home and the elevator attendant took me up and down. Zabar’s, Citarella, and Fairway Market were just a couple of blocks away. A Chinese laundry on West 76th Street took care of my shirts and socks and such. And businesses and restaurants in the neighborhood delivered almost anything I might need.

Paying for it.
While auditioning for plays (more rejections than hires) and for commercials (more hires than rejections), I managed The Penny Candy Store on Seventh Avenue and West 10th Street in Greenwich Village.

The store’s owner, Joe Manganello, lived across the hall from me in apartment 17H.

Stephen Brockelman in the original Penny Candy Store 1970; New York Magazine

The Phone Call.
That summer, something remarkable happened. Late in the afternoon on August 22nd—a Tuesday—the weather was milder than usual, the sky was blue, the air was clean, and I was in the West Village counting candy—Mary Janes, Sugar Daddies, Atomic Fireballs, Kits, Squirrel Nut Zippers, and the like. I received a phone call that afternoon that caused the FBI to tap my phone for a few weeks. The call was from one of my employees, a young man who was late for his shift.

It was about five o’clock that afternoon when Sal called the store. He sounded sincerely sorry—but not at all confused or excited—as he explained that he knew he was late but probably wouldn’t be coming to work at all. Because, he said, “We’re holding up a bank.”

I tuned the radio to WCBS. This is exactly what I heard:

I’d interviewed Salvatore Antonio Naturile (he was a slender 18-year-old, had dark hair and, curiously, a blonde mustache) for a sales job at The Penny Candy Store a few months before. The interview took place in Manganello’s apartment. Sal seemed like a passive guy, he seemed to want the job, and he could count change quickly and correctly. The variable work hours didn’t seem to conflict with anything else in his life. I hired him—he was a hard worker, polite, and always punctual. After a few weeks, he learned to up-sell from penny candies to big chunks of homemade fudge—chocolate, vanilla, and peanut butter—the real money-maker. His register was never short more than a few nickels or dimes, which he always offered to cover.

As Sal and I spoke, I began to hear clicks on the phone line. The clicks were a new development. As the number of clicks increased, his voice became a bit fainter with each of them.

“Can’t you just walk to the door and give yourself up, Sal? Come on, man. You know whatever you’re doing won’t work.”
“I’ve got to hang up. I think there are police at the back door. Tell Joe hi.”

He spoke matter-of-factly as if he were reporting inventory.

The real Dog Day Afternoon, news photo.

Sal hung up. I dialed Manganello, 724-4881. (No area code needed in those days.) After some unusual clicking on the line, Joe answered—I thought it strange that I’d heard a dial tone but didn’t hear his phone ring before he answered.

“Sal just called,” I said. “He’s robbing a bank.”
“Oh, shit. God, dammit. The one in Brooklyn? I’m watching it on TV.”
Joe paused; I waited.
“Close the store. If you need some cash take it from the register. Just leave and lock the door. We’ll talk when you get home.”

Heading north.
I took the subway—the Seventh Avenue IRT No. 1 train—from the Christopher Street-Sheridan Square as I usually did after closing the store. Walking up Broadway from the 72nd Street station, I saw fewer people than normal. I learned later many folks were actually in bars and businesses—gathered around radios or watching televisions—waiting for the finale of the escapade.

Wojtowicz told the police to bring pizza because, he told them, the hostages were hungry.

Home, I grabbed a bottle of Tanqueray from my freezer and knocked on Manganello’s door across the hall.

Watching the event.
Joseph R Manganello and I drank gin and tonics as we watched the robbery unfold on WCBS TV. We called out for Chinese delivery from Hunan 79. We learned of the complexity of the event, the strange personalities involved, and more about someone named John Wojtowicz, who was apparently the “mastermind” of the heist. For the first time, we heard the robbery of the Chase Manhattan (now JPMorgan Chase) bank branch on the corner of East Third Street and Avenue P in Gravesend, Brooklyn was to fund the sex reassignment operation of Wojtowicz’s wife, Ernest Aron (later known as Liz Eden). According to a later report by WCBS, Naturile’s share was to finance his two sisters’ removal from foster care and separation from their mother, who—they reported—drank heavily, was abusive, and had neglected all three of her children for years.

Fourteen hours later, long after night had fallen and the last of the Kung Pao chicken had been eaten, we were still watching the ongoing coverage as it was announced that Sal had been fatally shot in the head, point-blank at JFK Airport by the FBI. He had been pronounced dead at the scene, CBS said. Joe and I just looked at each other in silence. I went back across the hall and went to bed.

The Mastermind.

A call from Kansas.
My mother had heard about the heist on TV, and she called me later that morning.

“Honey, that crazy robbery wasn’t anywhere near you was it?”
“No mom, it was a long, long way away,” I responded wearily.

We chatted for a while, and as we were saying our goodbyes, she said, “You really should call the phone company, Stephen. There’s a tremendous amount of static on your line.”

Confirming the clicks.
My suspicions about the noise on the phones was confirmed a few days later. Manganello knocked on my door. He had a finger in front of his lips in a shhh, don’t say anything sort of way. I nodded, understanding, but not understanding why. He said, “Let’s go for a walk.”

We were on Riverside Drive when Joe said, “I was taken to an FBI office for an interview. They asked if I suspected you knew anything about the robbery or about Sal. I told them I was sure you didn’t. They told me they’d been monitoring my phone, the store’s phone, and your phone since the afternoon of the robbery. Be careful.”

Joe walked into Riverside Park. I turned around and went home.

Three Septembers later Dog Day Afternoon was released.

Dog Day Afternoon, one-sheet. “The robbery should have taken ten minutes. Eight hours later, it was the hottest thing on live TV. And it’s all true.

UPDATE, September 28, 2025:
Look at what AI did with my story in less than 10 minutes. It’s all kinds of amazing:
https://brockelpress.com/2025/09/28/a-dog-day-afternoon-blog-post-and-mp3-and-ai-a-unique-exploration/

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

19 comments

    1. Stephen Brockelman – Baltimore, Maryland – As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.
      Brockelman says:

      Thanks. I just realized that I hadn’t responded. You’re a master of personal narrative, so your words mean a lot.

  1. Cristian Mihai – Constanta, Romania – Became Internet famous by the age of 23. Never recovered. I write short author bios all over the web. I’m an acquired taste. Don’t like me? Acquire some taste.
    Cristian Mihai says:

    Reblogged this on Cristian Mihai.

  2. Rob Kraitt – Rob Kraitt and writing partner, the irrepressible Ashley Pannell (creator of the successful video game franchise NAUGHTY BEAR) are possibly the greatest screenwriting partnership never to be produced! Their fairy tale extravaganza BEANSTALK went as far as Tim Burton - but not quite far enough! - and their madcap musical ME AND MY FROG was a winner in the now defunct UK Film Council's 25 Words Or Less Competition. Unfortunately for cinema goers everywhere, these and many other amazing movies never saw the light of a cinema projector. Rob is now an agent at Casarotto Ramsay and Associates Limited in London, representing writing and directing talent; and selling books for film & television adaptation. He has also served on the board of the Film Agency for Wales and participated on panels and masterclasses for the Edinburgh International Film Festival, the Writer’s Guild of Great Britain and the International Screenwriter’s Festival amongst others. He was also part of the BFI’s delegation to Shanghai and Beijing in 2015. Rob started his career as a script editor and consultant for many top film production companies in the UK including Working Title, Focus, Pathé Productions, Miramax and Ruby Films as well as the European Media Development Agency.
    robkraitt says:

    What a story! And what a movie! Thank you.

  3. True George – A government bureaucrat for the City of New York; Retired National Guards man and Veteran of Operation Iraqi Freedom II; Trained in Mental Health Counseling and Psychology; word smith and master of all trades and student at the Renzo Gracie Brazilian Jiu Jitsu Academy...
    True George says:

    I aw the movie twice when they showed it on T.V back in 1980’s…..

  4. Daedalus Lex – New Orleans – Favorite painting title: A Hair Pursued by Two Planets, Joan Miro Favorite English word to say out loud: lilliputian Favorite Spanish word to say out loud: pipas Favorite album: Abbey Road Favorite zoo animals: elephant, anteater Favorite advertising slogan: "Drink Barqs. Its good."
    Daedalus Lex says:

    Fascinating story. I couldn’t look away until I finished.

  5. Robert Kirkendall – Santa Cruz, CA – Writer of fiction and drama, originally from San Jose, California, and currently living in Santa Cruz for the past two plus decades.  My style is heightened realism, and my work is focused is on the Bay Area with universal themes.  There are many reasons why I write, but the main one is enjoyment.  In 2016 I began producing and directing some of my short plays at Community Television of Santa Cruz as live broadcasts.  My more recent works are the novel Redwood Summer (a story of 1990 San Jose) and the two act stage play Dermalogic which received a Zoom performance hosted by Theater for the New City's "On the Air" series.  Recently I helped to write a screenplay with filmmaker Hilary Davidson called TWENTY for Nineteen85Films, and I've completed a screenplay about a young man's final days in Santa Cruz before he escapes that I've titled Leaving Paradise (it's gained some notice on the Film Freeway).  In April 2022 my one act comedy Funhouse was performed live by Manhattan Repertory Theatre in New York, and the following September my two act play Electric Serenade was part of Theater for the New City's Dream Up Festival in NYC's Lower East Village. Click links on menu to peruse my writings.
    Robert Kirkendall says:

    Riveting story, and interesting how much Wojtowicz looked like Al Pacino.

    1. Stephen Brockelman – Baltimore, Maryland – As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.
      Brockelman says:

      Thanks. It was a great time to be young and in NYC.

  6. GP – Everett Smith served with the Headquarters Company, 187th Regiment, 11th A/B Division during WWII. This site is in tribute to my father, "Smitty." GP is a member of the 11th Airborne Association. Member # 4511 and extremely proud of that fact!
    GP says:

    This was incredible!

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