A Dog Day Afternoon, a blog post, an mp3 file, and AI … What an intriguing exploration.

FBI Agent escorts bank robber to jail in NYC.

Shortly after I retired from T. Rowe Price I took on an AI teaching-learning project for a multinational leader in the AI and machine learning space. That’s all I can share on that count because there’s a life-term NDA in place.

For me, AI is at the same time wonderfully promising and dreadfully frightening.

Not long ago I uploaded a pdf of a blog post I wrote in the summer of 2014 about my tangental involvement in the actual Dog Day Afternoon to a Large Language Model (LLM) that was married to the technology behind a Language Model for Dialogue Applications (LaMDA). I also uploaded a recording, an mp3 of WCBS Radio in NYC covering the event. I asked the bot to create a two-person, conversational discussion.

For me, AI is at the same time wonderfully promising and dreadfully frightening. I uploaded some source material to a Large Language Model (LLM)

The jargon isn’t important. The result is important—listen to the audio below.

Dog Day Afternoon, theatrical one-sheet.
https://brockelpress.com/wp-content/uploads/2025/09/Brockelman-and-the-Actual-Dog-Day-Afternoon.mp3

That recording, including the three revisions I requested, was created in less than ten minutes. My first thought was, “Wow. They’ve about reached the pinnacle of this technology.

After a few days I listened again and was reminded of the innocent irony in a song from the Broadway show Oklahoma.

🎵 Everythin’s up to date in Kansas City
They’ve gone about as fur as they can go
They went and built a skyscraper seven stories high
About as high as a buildin’ orta grow
Everythin’s like a dream in Kansas City
It’s better than a magic lantern show
They’ve gone about as fur as they can go … 🎵

And I was reminded of Al Joleson saying, “You ain’t seen nothin’ yet.”

Here’s a link to my original story, the source material.

Part of the peanut gallery watching the actual event.

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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