I admire illustrators who can distill complex thoughts and emotions down to their simplest form

Tomi Ungerer’s anti-vietnam war poster
Tomi Ungerer’s 1967 anti-vietnam war poster

In the 1960s and early 70s artists produced some powerful anti-war images. This remains my favorite.

ABOUT THE WORK

Illustrator Tomi Ungerer’s best-known radical protest poster, this print was created and printed in 1967 in response to the Vietnam War. Quintessential of the artist’s boldly etched caricature style and acerbic satire, it features a white person’s arm emblazoned with the word “EAT” shoving the Statue of Liberty into the mouth of a yellow man with slanted eyes—a violent visualization of America forcing its ideals on the Vietnamese people.

ABOUT TOMI UNGERER

Tomi Ungerer is best known for his witty children’s books, as well as being a successful political commentator, prolific writer, and erotic artist. Born in Strasbourg in 1931, he first gained notoriety after moving to New York in 1956 and creating illustrations for magazines such as Esquire, Life, Harper’s Bazaar, The Village Voice, and The New York Times. Ungerer is now internationally renowned for his etched caricatures imbued with sharp social satire—a style maintained in his children’s books, which he began to publish with Harper and Row in 1957. These books include such fantastical tales as “The Mellops Go Flying,” (1957) about a family of daring pigs, “The Three Robbers” (1962) a classic French and German story about bandits made honest by an orphan girl, and “Moon Man” (1967) about the man in the moon’s adventure to Earth.

During the Civil Rights Movement of the 1960s Ungerer began to branch out from advertising and editorial work to make personal pictorial responses to racism, fascism, and war—most notably a set of brutal anti-Vietnam War posters. In the 1970s he began to draw erotic illustrations for adult books—which he continues, in addition to children’s books, since moving to Ireland in 1976.

Ungerer’s work has been shown internationally including a retrospective exhibition that traveled from the Louvre to Munich, Düsseldorf, Hamburg, Dublin, and the Royal Festival Hall in London; as well as solo exhibitions at Itabashi Art Museum in Tokyo, Strasbourg’s Museum of Modern Art, and Max Ernst Museum in Brühl, Germany. The Council of Europe chose Tomi Ungerer as their first Ambassador for Childhood and Education and he has been awarded the Hans Christian Andersen Prize for children’s literature. In 2007 a museum dedicated solely to the artist’s work and collections opened in Strasbourg.

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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