Warhol, a red crayon, and a Brillo Box (3¢ off) come together in a smart, new documentary from HBO.

In 1968 Lisanne Skyler’s father purchased one of Andy Warhol’s Brillo Boxes for $1,000.

40 years later that same Brillo Box (3¢ off) sold for over $3 million in a record-setting auction at Christies.

Unfortunately for Lisanne’s family, shortly after he purchased the Brillo Box, her father decided to trade it for a painting by a different artist. The story of one of the most identifiable of all of Warhol’s Brillo boxes is the subject of an acclaimed new documentary  from HBO.

[Sidebar: To add a bit of context to the thousand-dollar price tag of that Brillo box, in 1969 the average American new car cost just a thousand dollars more.]

When Christies asked Skyler about Lisanne about her parents’ purchase of the Brillo box she said,

When my father began collecting, one of the first people he met in the art world was Ivan Karp [the New York gallerist who championed the work of artists including Claes Oldenburg, Warhol, Lichtenstein and Rauschenberg]. Karp was an incredible figure, and a big supporter of Warhol. According to records, the box belonged to Karp, who sold it to my father for $1,000 in 1969—something that only makes the piece more special.

Brillo Box (3¢ Off) was only the second piece my father bought. A friend advised him that it would be a good piece to start out with, and it was certainly striking. He took it home to my mum, and she absolutely loved it. I think she really connected with Warhol and understood what he was trying to do with his work.

Warhol didn’t generally sign his work then. When my father asked him to do so, in red crayon, he knew it was a little gauche — though it seemed to tickle Warhol. Of course, for those in the know, it was obvious that no one but  Warhol could have made the work. But there was an investing side to my father, and he wanted to authenticate the work. That little signature became a very special part of the story.

Here’s the trailer for Brillo Box (3¢ Off) from HBO—

The Philadelphia Museum of Art’s Brillo Box ID card reads:

Andy Warhol’s Brillo Boxes are precise copies of commercial packaging. While they fulfill the idea that art should imitate life, they also raise questions about how we identify and value something as art. If Warhol transformed a mundane commercial product into a work of art, how did that transformation happen? Considering Warhol made numerous Brillo Boxes and sold them to art collectors and museums, his can also be considered mass-produced consumer goods.

The documentary comes to HBO in June of 2017. Watch and discover the real value of Warhol’s—at the time—seemingly insignificant signature, in red crayon, on the box.

Baby Lisanne Skyler on Brillo Box (3¢ Off), 1969. Photo Credit: ©The Andy Warhol Foundation for the Visual Arts, Inc. / Brillo trademark used with permission of Armaly Brands, Inc. / Box photo and video trailer courtesy of HBO.

 

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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