Two extraordinary actors—husband and wife—Bonnie Bartlett and William Daniels read you a story.

I ask that you please carve out 11 minutes from your busy life and watch Bartlett and Daniels read the children’s story, Knots on a Counting Rope. The counting rope is a metaphor for the passage of time and for a boy’s emerging confidence facing his greatest challenges: blindness and the approaching death of his beloved grandfather. It was written by Bill Martin Jr. & John Archambault and illustrated in watercolor by Ted Rand.

In a time when people’s differences are being amplified and exploited to challenge America’s future, this sweet story is astoundingly relevant.

Native American Heritage Day is Friday, November 23

The SAG-AFTRA Foundation’s award-winning children’s literacy website, Storyline Online, streams videos featuring celebrated actors reading children’s books alongside creatively produced illustrations. Readers include Viola Davis, Chris Pine, Lily Tomlin, Kevin Costner, Annette Bening, James Earl Jones, Betty White and dozens more.

Story Line Online receives over 100 million views annually from children all over the world.

You can learn more about Story Line Online here. Consider supporting this program—you can help the SAG-AFTRA Foundation create more Storyline Online videos and new content, so that we can read to millions more children every month. By giving a gift to Storyline Online, you can help advance children’s literacy, and improve children’s lives. Your support makes a world of difference.

Just as learning the concept of truth is important to youngsters, telling stories to children helps make important truths come alive.

 

 

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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