For Broadway fans: An Easter Bonnet Competition with song, dance, stars, silliness—and it’s all for good.

Imagine a Broadway musical that opens with a production number. Happens all the time, you say? How about a production number that’s simply a reminder to turn off your cell phone and other electronic devices…

On Monday and Tuesday, April 22 and 23, the Minskoff Theatre in New York City will host the 33rd annual Broadway Cares/Equity Fights AIDS (BC/EFA) Easter Bonnet Competition. A long-time theatre-insider event, tickets are actually available to the public.

The Easter Bonnet Competition is the culmination of six weeks of spring fundraising efforts by company members of Broadway, Off-Broadway and national touring productions. Casts, crews, and volunteers at participating shows stood with Broadway Cares’ signature #redbuckets in hand at theatre exits to accept donations, in addition to selling signed Playbills, posters, and other special treasures.

BC/EFA helps men, women and children from across the street and across the country receive lifesaving medications, health care, nutritious meals, counseling and emergency financial assistance.

At last year’s Annual Easter Bonnet Competition, the award for best presentation went to the company of Wicked, who dedicated their performance to cast member Jerad Bortz and his husband Steven Skeels, who suffered a devastating car crash that left Bortz paralyzed from the chest down. Bortz donned the company’s bonnet and led current and former cast members in an emotional rendition of “Dear Old Shiz.” Humor, hope and heart were at the core of the performances at the 32nd annual Easter Bonnet Competition, which raised $5,721,879 for Broadway Cares/Equity Fights AIDS.

This clip will give you a sense of the humor, hope, caring, and heart that are at the very core of every Easter Bonnet Competition. Last year this show raised $5,721,879 for BC/EFA.

Each year, BC/EFA hosts two six-week-long fundraising campaigns across the country—one leading up to the Easter Bonnet Competition in April and the other leading up to the Gypsy of the Year competition in December. They also produce annual fundraising through Broadway Backwards, Broadway Bares, and the Broadway Flea Market & Grand Auction.

And all of that is reason number 9,763 that I love theatre people. They give at every single performance, and then they give more and more and more.

FIND OUT MORE
Visit Broadway Cares/Equity Fights AIDS

 

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

Leave a ReplyCancel reply

Discover more from BrockelPress

Subscribe now to keep reading and get access to the full archive.

Continue reading

Exit mobile version
%%footer%%