The non-linear, video chapters of an iconic business are beautifully illustrated in L’Odyssée de Cartier.

Cartier. The Maison.

By taking over his master’s workshop, Louis-François Cartier founded Cartier in 1847. Since then, the iconic brand has not only kept up with the times but continues to influence and inspire the tastes of future generations.

A recently released group of four videos makes the point that Cartier has always been more about the future and the present. They are presented in chapters. The voiceover seems a bit over the top, requiring subtitles for most viewers, but the visuals and the story arcs are superb.

Chapter 1
The portrait of a woman who revolutionized contemporary jewelry. A designer who risked it all and invented the Panthère, the pioneering director of a great jewelry Maison. How she became Artistic Director of High Jewelry from 1933 to 1970 and how her trademark “Toussaint taste” went on to influence the most elegant women of her time.

Chapter 2
Destination: London and New Bond Street, Maison’s historic temple and an essential part of Cartier’s DNA. How the English twist was instilled in design and how the British spirit electrifies the Cartier style and elegance.

Chapter 3
Russia is one of the major stylistic influences present throughout the history of Cartier. During his first journey there in 1904, Louis Cartier discovers a world of influences: from enamel work to folkloric headdress, hard stones with new color combinations.

Chapter 4
At the beginning of the 20th century, Louis Cartier discovers Islamic art. A great collector, passionate about art and curious about foreign cultures, he sees the power of stylized yet abstract motifs.

Note: I have no affiliation with Cartier other than being always a fan and a once-in-a-while customer. I bought my trophy watch there and Jacob’s and my wedding bands are Cartier Trinity rings.

 

#Cartier #trinityring #jewlers

@cartier

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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