Smithsonian Museum and Getty Research acquire the archive of Ebony and Jet’s historic photos.

Jet Magazine

This news is huge
A philanthropic consortium comprising the Ford Foundation, the J. Paul Getty Trust, the MacArthur Foundation, the Andrew W. Mellon Foundation, and the Smithsonian Institution announced on Thursday that the collection has been transferred to the Smithsonian National Museum of African American History and Culture (NMAAHC) and the Getty Research Institute.

The archive of Chicago-based Johnson Publishing, the owners and publishers of Jet and Ebony magazines, is a valuable collection of photographs depicting African American culture in the 20th century.

Tessa Solomon, writing for ARTNews, says, “The two institutions now jointly steward 4 million prints and negatives from Ebony and Jet, the lodestones of Johnson’s portfolio. These images depict candid moments involving iconic Black actors, musicians, fashion models, and writers, as well as ordinary folk who were rarely featured in white publications.

Ebony Magazine

Over the decades, the magazines’ pages featured luminaries such as Ray Charles, Muhammad Ali, Martin Luther King Jr., Billie Holiday, and Josephine Baker. The entire photo archive will be housed at the NMAAHC and will eventually available for public viewing.

Following the consortium’s purchase, the archive has been located in Chicago for conservation and “select exhibition and programming,” according to the press release. A team of Chicago archivists, funded by Getty and led by Steven D. Booth of the Black archivists collective, the Blackivists, have been assessing and cataloging the archive’s holdings.

The Getty Trust has committed $30 million to the digitization efforts.

More than 4 million prints and negatives—
The archive features more than 4 million prints and negatives that chronicle 20th-century Black life.

“For decades, Ebony and Jet documented stories of Black celebrity, fashion, and the Civil Rights Movement and provided an opportunity for African Americans to see an authentic public representation of themselves while also offering the world a fuller view of the African American experience,” says Kevin Young, the Andrew W. Mellon Director of the Smithsonian’s National Museum of African American History and Culture. “Our museum is proud that this significant and iconic collection of African American images will be housed in our museum and preserved for generations to study, observe and enjoy.”

Jet Magazine, November 29, 1951, page 61

The Getty notes, “In determining the final disposition of the archive, the consortium was guided by an advisory board of 11 experts led by Dr. Carla Hayden, the 14th Librarian of Congress, representing deep expertise in the fields of film and photography, African American history, and conservation to help determine the proper course of stewardship for the historic collection.”

On April 9, 2019, the company filed for Chapter 7 bankruptcy liquidation in a U.S. Bankruptcy Court in Chicago, Illinois.

Resources—
The Getty
The Blackivists
The Smithsonian

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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