Coming to Broadway next month: A new-age musical celebrating first love and the power of music.

Sing Street musical poster art, key art

I have high hopes for this show.

Ben Brantley writes in The New York Times, “A boy presses ‘play’ and the world goes away. That everyday magic act takes on fresh, senses-stirring life in Sing Street.”

Sing Street takes place in 1882 Dublin, a time when it seemed as though everyone was out of work. Thousands were seeking bluer skies and better futures across the Irish Sea. Sixteen-year-old Conor and his schoolmates turn to music to escape troubles at home while trying to impress a mysterious girl. With a score that embraces the new wave sounds of the era, Sing Street celebrates the thrill of first love and the power of music.

I’m especially fond of the show’s tagline: Find Out Who You’re Meant to Be. (Like a lot of kids, I was trying to find out who I was meant to be for much of my early life.)

Here’s a musical teaser.

The stage adaptation of the 2016 movie, Sing Street, opened at New York Theatre Workshop last year and ran for an extended schedule. The musical features a New Wave score from Carney and Gary Clark, a book by Tony winner Enda Walsh, and choreography by Sonya Tayeh. Tony winner Rebecca Taichman is the show’s director.

The cast is fresh, off-the-charts talented, and more than just impressive, they look to be award winners. If not for this production, for all of the many shows in their futures.

Previews are scheduled to begin March 26 at the Lyceum Theatre and opening night is set for April 19.

Here’s a look behind the scenes.

You can learn more by visiting the show’s website, SingStreet.com. I encourage you to follow this show. It well could add a new dimension—as Hamilton did—to the lexicon, to the scope of American Musical Theatre.

I’ll see you at the Lyceum.

#SingStreet

 

 

 

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

Leave a ReplyCancel reply

Discover more from BrockelPress

Subscribe now to keep reading and get access to the full archive.

Continue reading

Exit mobile version
%%footer%%