5, 6, 7, 8! A Chorus Line cast reunites (virtually) to recreate I Hope I Get It, the Quarantine edition.

This video will make you want to jump out of your chair, take a pivot step, and walk, walk, walk.

The 2006 revival A Chorus Line closed over a dozen years ago, but the story and the music by Marvin Hamlish are timeless.

Watch Jason Tam, Michael Berresse, Mara Davi, Lorin Latarro, Tyler Hanes, Tony Yazbeck, Aaron J. Albano, Mario Lopez, Charlotte d’Amboise, Terrance Mann, and 34 other former cast members recreate the magic and the hopefulness provided by dance. 

Production notes:

A Chorus Line in Quarantine was the brainchild of Jeffrey “Shecky” Schecter who played Mike in the original Broadway revival cast. On March 31st, just around the two-week mark of the quarantine, Shecky reached out with a fun proposition to his fellow castmates to do a clean “mark” through of the opening combo for fun in whatever living circumstances everyone was quarantining in and he (or someone) would throw them together. Enter Heather Parcells (who played Judy Turner in the Revival). She volunteered to edit the project and reached out to everyone from the cast who wasn’t on Facebook. The comment train started, and the opening combo videos started rolling in from the cast who has been dispersed all over the globe during the decade following the closing of the show in August 2008. Cast members now live in New York, Japan, Australia, California, Florida, Maine, and New Jersey, to name a few locales. Each cast member began putting their own personal touch on the combination. From fully produced comedic sketches to topical jokes about the pandemic to full out dance explosions, but each maintaining the sheer joy of getting to dance.

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

4 comments

  1. Hi. Somewhere in the 1970s I saw Chorus before it went to Broadway. It was playing downtown in Manhattan. Can’t remember which theater. The show, of course, was great. Be well.

    Neil S.

    1. Stephen Brockelman – Baltimore, Maryland – As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.
      Brockelman says:

      I was late in seeing it but I managed to get a couple of great seats for the final performance. The audience went crazy when the curtain came down. A heart-warming experience. You, and those you care for, be well as well.

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