Great Scott! You can audition for Back to the Future-The Musical on Broadway in 2024.

AUDITION DATE
Monday, January 8, 2024
10:00 AM (E)
Lunch 1:00 PM – 2:00 PM
CONTRACT
Equity Production (League)
$2537 weekly minimum
LOCATION
Pearl Studios (519)
519 8th Ave
12th Fl
New York, NY 10018
(Holding room,
Studio D)
OTHER
Venue: Winter Garden Theatre
—Currently Running.
ECC Procedures are in effect
for this audition.
An Equity Monitor will be provided.
Audition Info Card


SEEKING
Equity chorus dancers (Female characters) for future replacements in the Broadway production of Back to the Future, The Musical (See breakdown). Actors of all races, cultural backgrounds, abilities, and gender identities are encouraged to audition for all roles.

PREPARATION
Please arrive warmed up and ready to dance. Please wear form-fitting clothing you can move in. Please bring tennis shoes/sneakers you can pirouette in and character heels. Please bring a hard copy of your headshot and resume stapled together.

PERSONNEL
Produced by Colin Ingram
Book/Co-Created by Bob Gale
Co-Created by Robert Zemeckis
Music and Lyrics by Glen Ballard
and Alan Silvestri
Directed by John Rando
Choreographed by Chris Bailey
Music Directed by Ted Arthur
EXPECTED TO ATTEND
Chris Bailey (Choreographer)
Beth Crandall (Associate Choreographer)
Claire Burke, CSA (Casting Director)
Frankie Ramirez (Casting Associate)
Key Creatives and Casting


SYNOPSIS
Back to the Future is a musical based on the Universal Pictures/Amblin Entertainment film written by Oscar winner Robert Zemeckis (Forrest Gump, Castaway) and Bob Gale with Music and Lyrics by 3-time Grammy and 2-time Emmy-winning Alan Silvestri (Forrest Gump, Polar Express, Ready Player One) and 6-time Grammy Award-winning Glen Ballard (Man In The Mirror, Jagged Little Pill, Ghost – The Musical).


CASTING FOR
JENNIFER
Late teens/early 20s. A smart all-American girl with a heart of gold. The girlfriend of Marty McFly. A brilliant pop singer and strong dancer in a range of styles, including partnering.

DAVE
20s. Marty McFly’s older brother. COMEDIC with a rock high-tenor. A strong dancers with advanced partnering in a range of dance styles from contemporary musical theatre as well as varying 80’s genre and 50’s rock and roll.

LINDA
20s. Marty McFly’s older sister. COMEDIC with a strong belt/mix in the upper register. Solid experience with harmony work is needed. A strong dancer with advanced partnering in a range of dance styles from contemporary musical theatre and varying 80’s genre and 50’s rock and roll.

ENSEMBLE
20s-30s. Seeking excellent, versatile singers capable of singing in both musical theatre and pop styles. Solid experience with harmony work is needed. Strong dancers with advanced partnering in various dance styles from contemporary musical theatre to varying 80s genres and 50s rock and roll.

Transparency: Jacob and I are investors in both the Broadway production of Back The Future and the North American Tour production, which opens in early June 2024.

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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