Our refrigerator died last week. We had to do some food triage—and some emergency eating, also.

The Incident
I was in a Zoom meeting when I heard a steady, persistent, unsettling beep, beep, beep coming from the other side of the apartment. The meeting was a must-attend, so I didn’t investigate the noise right away. I hit the Zoom mute button to squelch the beeps and only unmuted to speak.

About an hour later I headed to the kitchen. The beeps were a warning from the refrigerator—it was’t cooling and was losing temperature. I’d heard the beeps once or twice before. On those occasions, one of us had left a door ajar for a moment or two.

This time though, the doors were solidly closed, but the inside of the box was not cold. Not cold at all. Yikes. I called Jacob and asked him to pick up a couple of bags of ice on his way home and headed downstairs to grab our chest cooler from storage.

The Triage
Harvesting the remaining ice from the freezer, I saved all of the unopened wedges of cheese and tossed the cold cuts and lox. Dairy products had to go, but there were some cured meats that would make the cut. Left-overs, salad dressings, and condiments were given the heave-ho.

The Emergency Eating
We’d been planning ahead for a couple of special dinners and had two nice-sized tins of Ossetra caviar in wait. I checked their time-temperature stickers. The green dots representing pristine condition were starting to move a little bit toward the green-yellow phase. While I hadn’t yet made my buckwheat blinis, the caviar needed to be eaten.

We had potato chips, so we improvised. Turns out that caviar on Lay’s Original Wavy chips are actually a thing. And a delicious thing.

Our refrigerator—only three years old when it crashed—has been repaired. And Jacob is headed to the market to refill its shelves, bins, and drawers this weekend. I’m thinking I should make a different sort of purchase.

And so it goes. And, so it goes.

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

2 comments

    1. Stephen Brockelman – Baltimore, Maryland – As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.
      Brockelman says:

      Yeah, it looked a little fishy.

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