On Juneteenth, I’m listening to the voices of former slaves as they tell their stories.

Last week I received an email from Dr. Carla Hayden, Librarian of Congress. In part she wrote, “This June, we recognize several significant events and moments in our history, documented in the Library’s collections, when Americans have turned tragedies into opportunities to learn from the mistakes of the past or celebrate the progress we’ve made.” 

Of the all the Juneteenth resources she shared, I was most astonished and intrigued by a series of audio recordings of former slaves. I had no idea that slaves had ever had their stories recorded as told in their own voice.

Voices Remembering Slavery: Freed People Tell Their Stories—between 1932 and 1975 the recordings were made in nine states. Twenty-three interviewees discuss how they felt about slavery, slaveholders, coercion of slaves, their families, and freedom. Several individuals sing songs, many of which were learned during the time of their enslavement. It is important to note that all of the interviewees spoke sixty or more years after the end of their enslavement, and it is their full lives that are reflected in these recordings. The individuals documented in this presentation have much to say about living as African Americans from the 1870s to the 1930s, and beyond. 

All known recordings of former slaves in the American Folklife Center are included in this presentation. Some are being made publicly available for the first time. Unfortunately, not all the recordings are clearly audible. Although the original tapes and discs are generally in good physical condition, background noise and poorly positioned microphones make it extremely difficult to follow many of the interviews. It is important to note, that an additional 2300 non-audio interviews with ex-slaves are available online: Born in Slavery: Slave Narratives from the Federal Writers’ Project, 1936-1938. The contextual and interpretive material accompanying those interviews are often equally useful for understanding the recordings in this presentation.

The first recording I listened to was an interview with former slave Fountain Hughes of Baltimore, Maryland. It was recorded by Hermond Norwood on June 11, 1949. It touched me deeply, as I’m sure it will you.

https://brockelpress.com/wp-content/uploads/2021/06/afc1950037_afs09990a.mp3

From the transcript,

“Now, uh, after we got freed and they turned us out like cattle, we could, we didn’t have nowhere to go. And we didn’t have nobody to boss us, and, uh, we didn’t know nothing. There wasn’t, wasn’t no schools. And when they started a little school, why, the people that were slaves, there couldn’t many of them go to school, except they had a father and a mother. And my father was dead, and my mother was living, but she had three, four other little children, and she had to put them all to work for to help take care of the others. So we had, uh, we had what you call, worse than dogs has got it now. Dogs has got it now better than we had it when we come along. I know,

I remember one night, I was out after I, I was free, and I didn’t have nowhere to go. I didn’t have nowhere to sleep. I didn’t know what to do.”

Learn more about the recordings in this series and fell free to share. Here are some additional resources from our Library of Congress:


The Birth of Juneteenth; Voices of the Enslaved
Ralph Ellison’s “Juneteenth
Voices Remembering Slavery: Freed People Tell Their Stories
Born in Slavery: Portraits and Narratives of Formerly Enslaved People
Draft of the Emancipation Proclamation
S.475 – Juneteenth National Independence Day Act, 117th Congress

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

1 comment

  1. LaDonna Remy – United States – I am a trauma and attachment therapist, who works in a private practice setting. My passion is in exploring and supporting exploration of the human condition. I love writing, reading, learning, exploring nature, and spending time in connection with those I love. My blog, Perspective on Trauma. shares thoughts on a variety of topics including social justice, emotional well-being, trauma and attachment, grief and loss, and moving forward. I am hopeful you will find something that speaks to you here. I welcome your thoughts and comments.
    LaDonna Remy says:

    Thank you for sharing this moving and thought provoking information and recording. Fountain Hughes voice and story will be in my thoughts for time to come. Recognition of Juneteenth is an important step forward and long overdue. A painful path to progress, built on a painful past , with so much still to do.

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