3 fun trips in 30 days — I’ll be visiting Norman, Ted, and Christopher.


Travel begins later today with my trip to visit Norman in Los Angeles. Next up, the following week, is my trip to Washington, DC, to see Ted for a couple of days. To wrap up this seemingly manly-man-focused tour, I’m traveling to New York for a face-to-face (or face-to-toe) visit with Christopher.

I can’t think of a better run of travel. I’ll be visiting with lots of old friends, listening to lots of really smart people, and observing one guy who’s a little, well, rigid.

Here are the venues and a bit about the events:

First up, Norman.

Norman Lear, the man who showed
me how to write honestly

There’s a little get-together on the 54th floor of the Los Angeles City Club Saturday night. Quite a few of the core Tandem Productions, TAT Communications, and Embassy Communications associates will be together once again—after roughly 35 years—with our leader and our inspiration. Sharing stories, hugging, and telling each other how good we look and how we haven’t changed, will be wonderful, and as Jacob reminds me, it will be my personal, very real exploration of Stephen Sondheim’s Follies).

Post-event update:

Norman and I talked and talked and shared. His wisdom never stops growing.

It was also a bittersweet reunion for me. Many of my dear friends weren’t there. Bea Arthur, Sherman Hemsley, Barbara Brogliatti, Evelyn Robbins and her sister Rose, Carrol O’Connor—the list is long, growing longer. However, my wonderful memories of all of those folks live on and will be told, over and over and over.

Then, Ted, my second go-see:

44 Speakers — 1 Theme. Be Fearless.

T. Rowe Price is sending me to TEDxMidAtlantic on October 26th and 27th. I will do my best to absorb ‘fearless thoughts’ from speakers like Colin Powell, Alec Ross, Barbara Van Dahlen, and Sylvia Barcellos. I will return to Baltimore and attempt to share the experience and the over-arching takeaways with my colleagues, fellow writers, and designers.

And finally. Christopher.

Christopher Columbus — yes, I’m going there.

Tatzu Nishi (Nagoya, Japan) is known internationally for his temporary works of art transforming our experience of monuments, statues, and architectural details. His installations give the public intimate access to aspects of our urban environment and, at the same time, radically alter our perceptions. For his first public project in the United States, Nishi has chosen to focus on the historic statue of Christopher Columbus.

The marble statue, which rises to more than 75 feet atop a granite column, was designed by the Italian sculptor Gaetano Russo. It was unveiled in 1892 to commemorate the 400th anniversary of Columbus’s first voyage to the Americas. Despite its prominent public location, the statue itself is little known, visible only as a silhouette against the sky or at a distance from surrounding buildings.

Nishi’s project re-imagines the colossal 13-foot-tall statue of Columbus standing in a fully furnished, modern living room. Featuring tables, chairs, couches, rugs, and flat-screen television, the décor reflects the artist’s interpretation of contemporary New York style. He even designed wallpaper inspired by memories of American popular culture, having watched Hollywood movies and television as a child in Japan. Discovering Columbus offers both a unique perspective on a historical monument and a surreal experience of the sculpture in a new context. Allowing us to take a journey up six flights of stairs to a fictional living room, Tatzu Nishi invites us to discover for ourselves where the imagination may lead.

About the Monument
Erected in 1892, this monument was designed by the Italian artist Gaetano Russo to commemorate the 400th anniversary of Columbus’ first voyage to the Americas. Atop the monument is a larger-than-life marble statue of explorer Christopher Columbus, who surveys the City from his perch some 75 feet above the street. He stands on a granite column featuring bronze ships’ prows and anchors that refer to his famous voyage with the Niña, the Pinta, and the Santa Maria. Supporting the column is a base adorned with bas-relief plaques portraying Columbus’s journey in addition to an American bald eagle and an allegorical figure titled the “Genius of Discovery.” The monument was sponsored by Il Progresso Italo-Americano, a New York City-based Italian-language newspaper.

The monument is located in the center of Columbus Circle at the intersection of Eighth Avenue, Broadway, Central Park South (West 59 Street), and Central Park West. It is the point from which all official distances from New York City are measured.

For more information on these monuments or Central Park, please visit http://www.nycgovparks.org or http://www.centralparknyc.org.

In conjunction with Tatzu Nishi: Discovering Columbus, Public Art Fund will oversee the conservation of the Columbus Monument in cooperation with the New York City Department of Parks & Recreation.

In 2005 Columbus Circle was improved with the goal of making it a more hospitable destination for visitors. The roadways were reconfigured, and the pedestrian walkways and crosswalks were enhanced. Surrounding the monument, a new granite plaza was installed with specially designed benches and rimmed with seasonal planting beds to create an oasis in the middle of the Circle. The interior fountain was removed, permitting seating at the base of the monument, and was replaced with perimeter fountains that soften the sounds of this busy crossroads.

The monument was unveiled in 1892, and in the hundred years since, its marble and original materials have been ravaged by time, weather, and other factors. The current conservation includes cleaning and pointing of granite and marble features, stone repair and consolidation, and bronze surface treatment.

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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