U.S. coronavirus deaths approach 100k—NYTimes shows the power of the printed word.

One story. Just words. Graphically impactful. Tragic.

With its singular focusThe front page of The New York Times, blew me away this morning, as did its “continued-on” pages and the article’s accompanying content.

As a man who’s earned my living by writing on vastly-different topics across many industries for the greater part of my career, the structure of the piece is perfect—spot on—for both digital and print delivery:

Headline:
           U.S. DEATHS NEAR 100,000, AN INCALCULABLE LOSS
An emotional two-part dek:
           1. They Were Not Simply Names on a List. They Were Us.
           2. Numbers alone cannot possibly measure the impact of the coronavirus on       America, whether it is the number of patients treated, jobs interrupted, or lives cut short. As the country nears a grim milestone of 100,000 deaths attributed to the virus, The New York Times scoured obituaries and death notices of the victims. The 1,000 people here reflect just 1 percent of the toll. None were mere numbers.

The story’s associated content is equally well thought out, deftly executed, sobering, and brilliant.

For deeper background into how The New York Times came to publish a Sunday edition, for the first time in over 40 years, without any graphics or photos, read TIMES INSIDER.

As powerful as the Times’ presentation is, it only represents 10% of the Americans who have died from COVID-19. 10%.

By Stephen Brockelman

As a Sr. Writer at T. Rowe Price, I work with a group of the best copywriters around. We belong to the broader creative team within Enterprise Creative, a part of Corporate Marketing Services. _____________________________________________ A long and winding road: My path to T. Rowe Price was more twisted than Fidelity’s green line. With scholarship in hand, I left Kansas at 18 to study theatre in New York. When my soap opera paychecks stopped coming from CBS and started coming from the show’s sponsor, Proctor & Gamble, I discovered the power of advertising and switched careers. Over the years I’ve owned an ad agency in San Francisco; worked for Norman Lear on All in the Family, Good Times, Sanford and Son, and the rest of his hit shows; and as a member of Directors Guild of America, I directed Desi Arnaz in his last television appearance— we remained friends until his death. In 1988 I began freelancing full time didn’t look back. In January 2012 my rep at Boss Group called and said, “I know you don’t want to commute and writing for the financial industry isn’t high on your wish list, but I have a gig with T. Rowe Price in Owings Mills…” I was a contractor for eight months, drank the corporate Kool-Aid, became a TRP associate that August, and today I find myself smiling more often than not.

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